Arthur Lieneck [1927-1995]
New York Artist
Transition #1, c.1961
Encaustic on board
11 x 5-1/2 inches

Exhibited at James Gallery, 1961

The 10th Street galleries was a collective term for the co-operative galleries that operated mainly in the East Village on the east side of Manhattan, New York in the 1950s and 1960s. The galleries were artist run and generally operated on very low budgets, often without any staff. Some artists became members of more than one gallery. The 10th Street galleries were an avant-garde alternative to the Madison Avenue and 57th Street galleries that were both conservative and highly selection

From the early 1950s through the mid-1960s (and beyond) in contemporary art to be small and the venues in which to show few, artists began to band together to launch and maintain galleries as a solution to the lack of other showing opportunities. Thus began a neighborhood in which several, (some now legendary) co-operative galleries were formed, (and a few non co-operative galleries as well).

Many of the artists who showed in these galleries, which are often referred to as the 10th Street Co-ops or the 10th Street Scene, have since become well known. Other artists who showed in these galleries are still under known, but in many cases have continued to work with zeal and dedication whether or not they are now famous. Some of the most well-known galleries that made the area what it was were: the Tanager Gallery, The March Gallery, The Hansa Gallery, The Brata Gallery, The James Gallery, The Phoenix Gallery, The Camino Gallery and the Area Gallery. Although the 10th Street galleries have almost all closed The Phoenix Gallery remains albeit in a new location and with a new membership.

“Approximately 250 artists were dues-paying members of these co-operative galleries between 1952 and 1962. More than 500 artists and possibly close to 1000 artists exhibited on Tenth Street during those years.”^{Milton Resnick maintained studios nearby and often served a supporting role for the many younger artists who gravitated to this scene.}

During the most active years of the 10th Street cooperatives, sculptors

Other galleries associated with the area and the time were the Fleischman Gallery, the Nonagon Gallery, the Reuben Gallery, the

The galleries on and nearby 10th Street played a significant part in the growth of Chelsea galleries.

Many of the artists who showed in these galleries, which are often referred to as the 10th Street Co-ops or the 10th Street Scene, have since become well known. Other artists who showed in these galleries are still under known, but in many cases have continued to work with zeal and dedication whether or not they are now famous. Some of the most well-known galleries that made the area what it was were: the Tanager Gallery, The March Gallery, The Hansa Gallery, The Brata Gallery, The James Gallery, The Phoenix Gallery, The Camino Gallery and the Area Gallery. Although the 10th Street galleries have almost all closed The Phoenix Gallery remains albeit in a new location and with a new membership.

“Approximately 250 artists were dues-paying members of these co-operative galleries between 1952 and 1962. More than 500 artists and possibly close to 1000 artists exhibited on Tenth Street during those years.”^{Milton Resnick maintained studios nearby and often served a supporting role for the many younger artists who gravitated to this scene.}

During the most active years of the 10th Street cooperatives, sculptors

Other galleries associated with the area and the time were the Fleischman Gallery, the Nonagon Gallery, the Reuben Gallery, the

The galleries on and nearby 10th Street played a significant part in the growth of Chelsea galleries.